Ongk Kroo Pim B Version of the Pra Khun Phaen Na Sethee Hnaa Loha Chup Ongk Tong Black Sacred Metal front face with Golden Buddha, filled with Sacred Powders, Dork Rak Sorn and Sinjana Cord Bound In Koo statuette in Rear. Released in the First and Final ‘Run Raek Lae Run Sud Taay’ Edition, from Luang Phu Kroo Ba Na Chinawangso, of Samnak Songk Doi Ihuy, from 2559 BE.

This model (Pim) is a {im Lek small version of the Ongk Kroo Pim B special Gammagarn model, and has the Na Hua Jai Khun Phaen, and Khom Agkhara spells embedded into the front and edges of the Blackened Sacred Metal Face, with Golden Buddha Image, & a Code Na Hua Jai Khun Phaen stamp on front face, with Sacred Khom Agkhara spells around the rim. The rear face is filled with Maha Wan Powders, and Earthen Muan Sarn Clay, Sacred Minerals, with 2 Takrut, a brass Dork Rak Sorn Flower of Love and Enchantment, inserted, along with an In Koo Loi Ongk Statuette, for Metta Maha Sanaeh.

 

This first and final series was made shortly before the passing of the great Luang Phu Kroo Ba Na, and is the last edition ever empowered by Luang Phu Na Chinawangso, of Samnak Songk Doi Ihuy, before his passing.

The edition included candles made in the images of In Koo, as well as some See Hoo Ha Ta five eyes four ears Money Deity.

 

Above & Below;
Sacred Khom Khmer Sanskrit Magical Agkhara Script Spells are inscribed along the edges of the metallic foil cover of the front face of the Khun Phaen amulet.

In addition, some lockets with the Nang Prai Mae Thanii Banana Tree Lady Ghost, See Pheung Dork rak Sanaeha lip gloss attraction potion, In Ma Saep Nang Lady-Horse Lanna Sorcery Animist Charm, and the Khmer Necromantic Mae Bper Fertility and Prosperity Deity of Mercy, in Loi Ongk Statuette Form, as well as some Ling Kin Kluay Banana Eating Monkey statuettes, with Sacred Muan sarn fullled bases. The Ling Kin Kluay was issued as free standing statuette or encased within a decorative transparent conservatory (decorative Takrut casing).

Luang Phu Na Chinawangso has made this amulet using a very old Wicha for Maha Pokasap, Metta, Maha Lap Magic, which is also imbued with Serm Duang and Maha Lap, for Good Karma, and Lucky Fortunes.

The rear face of the amulet, has three Takrut with a strip of Jivara Monk’s Robe attached for Buddhist Blessings, with the three Kings (Sam Kasat) Takrut bringing Metta Mahaniyom Mercy Charm, and Serm Duang Karma Improvement, as well as Maha Lap Lucky Fortunes.The Paya Gai Gaew brings Pokasap Wealthy Fortunes and Treasured POssetions, and Ease of Survival, as well as Power over Others. The In Koo Brings Maha Sanaeh, Metta and Kaa Khaay to increase Business and Popularity in the Profession and Social Scene, and to Bind the Hearts of your Lover’s

Kata Bucha for Wealth

Chant Kata Maha Namasakara 3 Times;

Namō Dtassa Pakawadtō Arahadtō Sammā Samputtassa

Namō Dtassa Pakawadtō Arahadtō Sammā Samputtassa

Namō Dtassa Pakawadtō Arahadtō Sammā Samputtassa

Then Chant (3 Times);

NA MAA MEE MAA NGERN KAM MAA TONG KAM MAA NA CHAA LI DTI NA MA PA TA NA MOE PUT TAA YA

 

Then Chant (3 Times);

Ēhi Ēhi Mahā Lāpā Ēhi Ēhi Mahā Pōka Pawandtumē Ngern Kam Mā Tong Kam Mā Nachā Lidti

 

Released in 2559 BE, and Blessed by Luang Phu Na, under Auspicious Astrological Alignments in the Year of the Monkey. This was Luang Phu Na’s first and final ever edition of the Khun Phaen Na Sethee Series, making these a one off series of immense Sacred Value and collectability. His amulets have become immensely rare and in high demand since his passing away.

 

Luang Phu Na Chinawangso was a Looksit of Kroo Ba Srivichai, and is the inheritor of the Master Lineage Sorcery of Kroo Ba Apichai Khaw.

This final edition was released in 2561 BE, and Blessed by Luang Phu Na,
under Auspicious Astrological Alignments for that year, after which Kroo Ba Na passed away, which is strange as his edition was deliberately named ‘Na Sethee Run Raek Lae Run Sud Taay’ (first and last edition), as if he knew that this would be his last. The Pra Khun Phaen amulet is famous for its Protective Magic, Wealth Accumulating, and mercy Charm as well as its immense power of seductive attraction, and has been revered for well over 200 years since the Ayuttaya period, and especially since the burial find of the Khun Phaen Wat Ban Krang in Supanburi.

 

The rise of the popularity and fame of the Khun Phaen amulet and legends, also caused the massive increase in public popularity, of the Wicha Kumarn Tong, for which Khun Phaen is credited with the revelation of the Wicha, which he received from pra Ajarn Kong, his Kroo Ba Ajarn at Wat Kae.

The Invocation Summoning, Awakening and Turning of the Four Elements was performed. to Reanimate Living Magic within the Static Form of the In Koo, according to the Ancient Grimoires and Magical Formulas of the
Wicha. Luang Phu Na Chinawangso has made the In Koo amulet inserted in the rear face, using the Wicha In Koo Plord Rak Maha Sanaeh, which is one of the most popular Wicha for Love Charms.

 

Useful for those who wish to strengthen existing Love Affairs, or get their Lovers, Husbands and Wives to return to the nest. The Wicha In Koo is a very old Wicha for Maha Sanaeh, Metta Mahaniyom, Kaa Khaay, Maha Pokasap
and Maha Lap Magic, which is as popular today as it was in ancient times with the Lanna Folk, and indeed around the world with Devotees of Maha Sanaeh magic.

 

The In Koo is an Animist Charm that was used in Olden
days by the Lanna Folk of the Northern Mountanous Regions, as a love binding spell, and for good commerce. The In Koo (also known in South East Asia as ‘Yin Tong’), is a symbiotic Deity, in the form of a Man and a Woman embracing each other.

In Koo, is a magical animist effigy which ancient people believed represents the first ever pair of Man and Woman (male and female) in the History of the World, and is a symbol of Love between 2 persons. It is believed that the holder of an In Koo Talisman is endowed with Maha Sanaeh power over the other sex, and that they will feel attracted to the wearer of the In Koo, and wish to approach and get to know you.

If they approach, then they will be helpless against the attraction power of the Palad In Koo. This is the Love Charm Magic of Maha Sanaeh (Charm and Attraction). If the In Koo is kept in the House, then all the family and people in the household will love each other and be happy together.

If  it is worn as a love charm or carried on ones person, then it will cause everyone the wearer meets to feel friendly and compassionate towards them, and even make others fall in love with the wearer if Bucha is made to the In Koo, and this request is asked for in exchange for
Bucha. Business will flourish, money and gifts will flow in, good fortune will come, and life without disturbances.

The In Koo is a sacred Love and Metta Maha Sanaeh Talisman which has been used by ancient folk for thousands of years, and shows no sign of disappearing soon, for its popularity as a love charm is still as
evident as it ever was. For Choke Lap wealth increase, place the In Koo inside a money bowl or savings box. Before you put or remove any money from the box, you must tap or knock on the side of the container with
the same hand you shall be using to remove or place money in the box with.

Kata In Koo

Chant
the Kata 7 times before putting your hand inside the container. It is
said that if you do this regularly, that money will never cease to flow.
Those who perform this well will find time to sit and meditate and
chant the Kata whilst tapping on the container. About 5 minutes each
time is enough.

Kata In Koo Perm Sap (Increase Wealth)

Om Raachaa Taewaa Swaahome Om Taewee Maama Jidt-Dtang Arahang Swaahome

Kata for making the In Koo perform as ‘Sanaeh’ (attraction charm) against the opposite sex;

Ung BpiyaBpiyang Sinohang Bpa Jidt-Dtang Bpiyang Ma Ma.

Then, in the case that a man is to be enchanted, chant;

In Gaew Maa Lo Bpuriso Bpiyang Ma Ma Mang So Sang Yo Ko Mang Mang (chant 4 times)

Or, in the case that a woman is to be enchanted, chant;

In Gaew Maa Lo Idthii Bpiyang Ma Ma Mang So Sang Yo Ko Mang Mang (chant 4 times)

Kata for calling the In Gaew/Yin Tong to assist in selling your wares, and attract customers;

Om In Gaew Naree Jag Chuay Khong Gaa Duay Bpaag Khunanaang Han Khong Loo Gan Sir Hyub Laew Ruad Lerm Waang Om Swaahum Dtid.


Kata Pra Khun Phaen

Kata Rak Sorn Love and Entourage Attraction Spell


Pra Kring Emerald Buddha Amulet

Phra Kring Gaew Morakot Emerald Buddha amulet Blessed at Wat Weluwan

Special Gammagarn Version of the Pra Kring Gaew Morakot Luang Phu Moon Tidtasilo Wat Ban Jan (Yorn Yuk Edition Emerald Buddha of LP Moon). A special ‘Pra Kring’ type Loi Ongk Statuette in Nuea Maha Chanuan Sacred Alchemical Alloy with Brass Base and Kring Bead rattle inserted, sealed with a Look Namo Slug with Sacred Agkhara U on the Base). Only 561 amulets were made in this particular version, and only handed out during the ceremony to devotees. The Pra Kring, should bring 12 kinds of blessings to the devotee who wears it, bestowed through the rattling Kring bead within the Pra Kring Medicine Buddha.

This edition was released at Wat Weluwan in Buddha Abhiseka presided over by Luang Por Udom Sap, with extra blessings thereafter by great masters of the Luang Phu Moon Lineage, to raise funds for the building of the necessary facilities for the Samnak Songk Pha None Mueang temple, in Roi Et in the Isan Country, which is presided over by Pra Ajarn Luang Por Chalerm Rat Aruno.

Free Registered Airmail Shipping Worldwide is Included with this amulet. The Samnak Songk Pha None Mueang is in dire need of funds, and so the devotees in collaboration with the temple of Wat Weluwan in Sri Saket, arranged for this edition to be made. The amulets were made in various types of sacred metals, as well as some sacred powder versions. These special version ‘Maha Chanuan’ alchemicaal metal amulets were made in extreme limited edition of 561 amulets, and were handed out to sponsors and devotees during the ceremony only, and not issued for general distribution.

The metallic Loi Ongk Pra Gaew Morakot statuettes were made in the following numbers 1. Nuea Ngern (solid silver) – 111 amulets made 2. Nuea Nava Loha (9 sacred metals) – 1,111 amulets made 3. Nuea Tong Rakang Ud Pong Wan Puttakun (Sacred Temple Bell brass filled with herbal Powders and Puttakun Powders)- 3,111 amulets made 4. Nuea Lek nam Pi (Lek Lai maekasit related alchemical metal substance, only handed out to pre-order donation devotees) – 561 amulets made. In addition, some votive tablets in sacred muan sarn powders were also released.

Below; Sacred Look Namo insert, with Khom Agkhara “U” Yantra and Series Number Code Stamps are embossed on the brass base of the amulet, which has a Kring Bead rattle inserted within the inner chamber

The edition was blessed in 2561 BE, at the temple of Wat Weluwan in Buddha Abhiseka. For indeed, the temple of Wat Pha None Mueang is yet to have an Uposatha Shrineroom to perform Buddha Abhisekha Ceremonies, and so was needed for this purpose.

The amulets were blessed With Luang Por Chalerm Rat and Monks of the Luang Phu Moon (Hmun) Wat Ban Jan Lineage, including the great Luang Por Porn Chai, of the Samnak Songk Siri Taep Sangworn.

This version is a Pra Kring, and hence invoked with the Healing powers of the Bhaisajyaguru, 藥師佛 Yàoshīfó, in Chinese, or in Japanese ‘Yakushi’). Bhaisajyaguru is of course, the Medicine Buddha.. The use of the Pra Kring amulet as an object of veneration for this particular commemoration is with the intent of bestowing miraculous protection and healing powers of the Medicine Buddha to the devotee, with Serm Duang power for auspicious Karma, and as Buddhanussati (Mindfulness of the Buddha).

Below; Luang Por Porn Chai Puttasaro, Luang Por Chalerm Rat, and Masters of the LP Hmun (Moon) Wat Ban Jan Lineage blessing the Pra Gaew Morakot Emerald Buddha Statuettes for the 2561 fundraiser edition to build a temple at Samnak Songk Pha None Mueang in Roi Et.


Below; Devotees assist in the preparation of the building of the foundations of the Samnak Songk Pha None Mueang, slowly but surely, as funds from donations permit.

The Emerald Buddha amulets are made in the style of the Emerald Buddha statue found within the Royal Palace within the shrineroom of Wat Pra Gaew (Temple of the Emerald Buddha). The original statue is fashioned Pre Chiang Saen to Early Chiang Saen Era, estimated sometime around the year 500 BE. It was given the name Pra Putta Radtana Pan Mani Morakot.

The Emerald Buddha is considered the palladium of the Kingdom of Thailand. It is a figurine of the meditating Buddha seated in yogic posture, made of a semi-precious green stone (jade or jasper rather than emerald), clothed in gold, and about 26 inches (66 cm) tall.[4] It is housed in the Temple of the Emerald Buddha (Wat Pra Gaew) on the grounds of the Grand Palace in Bangkok (Wikipedia). It is considered to have healing qualities by Thai Buddhist People. Early in the Bangkok period, the Emerald Buddha used to be taken out of its temple and paraded in the streets to relieve the city and countryside of various calamities (such as plague and cholera).


The Emerald Buddha also marks the changing of the seasons in Thailand, with the king presiding over seasonal ceremonies. In a ritual held at the temple three times a year, the dress of the deity is changed at the start of each of the three seasons. The astrological dates for the ritual ceremonies, at the changing of the seasons, followed are in the first waning moon of the lunar calendar, months 4, 8 and 12 (around March, July, and November). Rama I initiated this ritual for the hot season and the rainy season; Rama III introduced the ritual for the winter season. The robes which adorn the image, represent those of monks and the king, depending on the season, an indication of its symbolic role “as Buddha and the King”, which role is also enjoined on the Thai king who formally dresses the Emerald Buddha image.


The costume change ritual is performed by the Thai king who is the most elevated master of ceremonies for all Buddhist rites. During the ceremony, the king first climbs up to the pedestal, cleans the image by wiping away any dust, and changes the gold headdress of the Emerald Buddha. The king then worships nearby while an attendant performs the elaborate ritual of changing garments. The king also sprays holy water upon his subjects waiting outside the ordination hall, a privilege previously afforded only to the princes and officials who were attending the ceremony inside the ubosoth (the shrineroom where Uposatha is held.


Below Luang Por Chalerm Rat Aruno, of Samnak Songk Pha None Mueang, in Roi Et

Luang Por Chalerm Rat Aruno of Samnak Songk Pha None Mueang in Roi Et

This edition was released at Wat Weluwan in Buddha Abhiseka presided over by Luang Por Udom Sap, with extra blessings thereafter by great masters of the Luang Phu Moon Lineage, to raise funds for the building of the necessary facilities for the Samnak Songk Pha None Mueang temple, in Roi Et in the Isan Country, which is presided over by Pra Ajarn Luang Por Chalerm Rat Aruno.

Free Registered Airmail Shipping Worldwide is Included with this amulet. The Samnak Songk Pha None Mueang is in dire need of funds, and so the devotees in collaboration with the temple of Wat Weluwan in Sri Saket, arranged for this edition to be made. The amulets were made in various types of sacred metals, as well as some sacred powder versions. These special version ‘Maha Chanuan’ alchemicaal metal amulets were made in extreme limited edition of 561 amulets, and were handed out to sponsors and devotees during the ceremony only, and not issued for general distribution.

The metallic Loi Ongk Pra Gaew Morakot statuettes were made in the following numbers 1. Nuea Ngern (solid silver) – 111 amulets made 2. Nuea Nava Loha (9 sacred metals) – 1,111 amulets made 3. Nuea Tong Rakang Ud Pong Wan Puttakun (Sacred Temple Bell brass filled with herbal Powders and Puttakun Powders)- 3,111 amulets made 4. Nuea Lek nam Pi (Lek Lai maekasit related alchemical metal substance, only handed out to pre-order donation devotees) – 561 amulets made. In addition, some votive tablets in sacred muan sarn powders were also released.

Below; Sacred Look Namo insert, with Khom Agkhara “U” Yantra and Series Number Code Stamps are embossed on the brass base of the amulet, which has a Kring Bead rattle inserted within the inner chamber

The edition was blessed in 2561 BE, at the temple of Wat Weluwan in Buddha Abhiseka. For indeed, the temple of Wat Pha None Mueang is yet to have an Uposatha Shrineroom to perform Buddha Abhisekha Ceremonies, and so was needed for this purpose.

The amulets were blessed With Luang Por Chalerm Rat and Monks of the Luang Phu Moon (Hmun) Wat Ban Jan Lineage, including the great Luang Por Porn Chai, of the Samnak Songk Siri Taep Sangworn.

This version is a Pra Kring, and hence invoked with the Healing powers of the Bhaisajyaguru, 藥師佛 Yàoshīfó, in Chinese, or in Japanese ‘Yakushi’). Bhaisajyaguru is of course, the Medicine Buddha.. The use of the Pra Kring amulet as an object of veneration for this particular commemoration is with the intent of bestowing miraculous protection and healing powers of the Medicine Buddha to the devotee, with Serm Duang power for auspicious Karma, and as Buddhanussati (Mindfulness of the Buddha).

Below; Luang Por Porn Chai Puttasaro, Luang Por Chalerm Rat, and Masters of the LP Hmun (Moon) Wat Ban Jan Lineage blessing the Pra Gaew Morakot Emerald Buddha Statuettes for the 2561 fundraiser edition to build a temple at Samnak Songk Pha None Mueang in Roi Et.

Below; Devotees assist in the preparation of the building of the foundations of the Samnak Songk Pha None Mueang, slowly but surely, as funds from donations permit.

The Emerald Buddha amulets are made in the style of the Emerald Buddha statue found within the Royal Palace within the shrineroom of Wat Pra Gaew (Temple of the Emerald Buddha). The original statue is fashioned Pre Chiang Saen to Early Chiang Saen Era, estimated sometime around the year 500 BE. It was given the name Pra Putta Radtana Pan Mani Morakot.

The Emerald Buddha is considered the palladium of the Kingdom of Thailand. It is a figurine of the meditating Buddha seated in yogic posture, made of a semi-precious green stone (jade or jasper rather than emerald), clothed in gold, and about 26 inches (66 cm) tall.[4] It is housed in the Temple of the Emerald Buddha (Wat Pra Gaew) on the grounds of the Grand Palace in Bangkok (Wikipedia). It is considered to have healing qualities by Thai Buddhist People. Early in the Bangkok period, the Emerald Buddha used to be taken out of its temple and paraded in the streets to relieve the city and countryside of various calamities (such as plague and cholera).

The Emerald Buddha also marks the changing of the seasons in Thailand, with the king presiding over seasonal ceremonies. In a ritual held at the temple three times a year, the dress of the deity is changed at the start of each of the three seasons. The astrological dates for the ritual ceremonies, at the changing of the seasons, followed are in the first waning moon of the lunar calendar, months 4, 8 and 12 (around March, July, and November). Rama I initiated this ritual for the hot season and the rainy season; Rama III introduced the ritual for the winter season. The robes which adorn the image, represent those of monks and the king, depending on the season, an indication of its symbolic role “as Buddha and the King”, which role is also enjoined on the Thai king who formally dresses the Emerald Buddha image.

The costume change ritual is performed by the Thai king who is the most elevated master of ceremonies for all Buddhist rites. During the ceremony, the king first climbs up to the pedestal, cleans the image by wiping away any dust, and changes the gold headdress of the Emerald Buddha. The king then worships nearby while an attendant performs the elaborate ritual of changing garments. The king also sprays holy water upon his subjects waiting outside the ordination hall, a privilege previously afforded only to the princes and officials who were attending the ceremony inside the ubosoth (the shrineroom where Uposatha is held.

Below Luang Por Chalerm Rat Aruno, of Samnak Songk Pha None Mueang, in Roi Et

Luang Por Chalerm Rat Aruno of Samnak Songk Pha None Mueang in Roi Et

Pra Somdej Wat Rakang Kositaram 10 famous Pim (models) of Thai Buddha Image Amulets. Box Set for serious collectors. Each amulet comes with gold plated waterproof casing. Comes in wooden decorative box.

Released in the 108th anniversary of Somdej Pra Puttajarn (Dto) Prohmrangsri of Wat Rakang Kositaram, as replicas of the original models made by Somdej Pra Puttajarn (Dto) Prohmrangsri and in reverence of his Merits, as well as in recognition of this most classic Benjapakee range of Pra Somdej amulets from the Master of Masters, Somdej Pra Puttajarn (Dto) Prohmrangsri. 

Pra Somdej Wat Rakang Kositaram

Pra Somdej Wat Rakang Kositaram 

This is a special Gammagarn box set with the complete range of Pim Pra Somdej Wat Rakang Kositaram contained in a luxurious wooden box set. These sets were made as heritage family heirloom amulets, and are highly recommended Buddhanussati (remembrance of Buddha), for your family and for you to pass on to future generations in your family. 

Blessing ceremony Pra Somdej Wat Rakang Kositaram

Blessing ceremony Pra Somdej Wat Rakang Kositaram

 Their beauty will only increase as will their sacred value. Pra Somdej is an eternally valid amulet for all Buddhists, and can hence never go out of good taste of popularity. Pra Somdej is probably the amulet that will survive all other amulets, for its purely Buddhist Influence and Imagery, as well as for the fact it is one of the most sacred forms of image for Buddhists to Bucha.

Pra Somdej Wat Rakang Kositaram

Pra Somdej Wat Rakang Kositaram

The Miraculous Power of Pra Somdej has been the stuff of legend since more than one and a half centuries already, and continues to seduce devotees with its Metta Mahaniyom power, and Maha Lap wealth Increase Blessings, as well as its well renowned Klaew Klaad and Kong Grapan Chadtri power.

Pra Somdej Wat Rakang Kositaram 

The set consists of ten different Pim (models) in the ‘Yorn Yuk 108 Pi’ one hundred and eight years anniversary edition amulets 2556 BE. Free gold micron plated waterproof casing is included with the amulets, which come in the original wooden silk lined box from the Temple. Blessing ceremony presided over by the Abbot of Wat Pak Nam (Wat Luang Por Sodh). 

Pra Somdej Wat Rakang Kositaram 108 Pi Edition Amulets

Pra Somdej Wat Rakang Kositaram 108 Pi Edition Amulets

Made from Nuea Pong Puttakun Pasom Pong Gao (with powders from the original edition of Pra Somdej Pra Puttajarn Dto).

These 10 different models are perhaps the 10 most famous Buddha image amulets in all of Thai amulet making history. The prestige which they have carried throughout the decades and even over the centuries now, has come to be known around the world as the most classic amulet of all Thai Buddhist amulets.

 

Pra Somdej Ok Romg

Pra Somdej Ok Romg

This particular edition was released in 2013, and celebrates a 108th anniversary ‘Yorn Yuk’ memorial edition of Pra Somdej amulets of the type made by Somdej Pra Puttajarn (Dto) Prohmrangsri of Wat Rakang Kositaram.

Pra Somdej Pim Gaes Talu Sum

Each of these 10 different models, have been encased already in waterproof casing, with gold plated frame. They were released as single amulets, and also in this special Gammagarn wooden box set, which contains all 10 different models. The box set, was released as a special limited collectors edition.

 

Pra Somdej Prok Po

Pra Somdej Prok Po Wat Rakang Kositaram

 In addition to this, there was also a very special amulets released, which was one of the older amulets that had been hidden within the chedi stupa of the Buddhist temple at Wat Rakang Kositaram. This amulet, it was different and made from the original sacred powders of the Great Somdej Pra Puttajarn (Dto) Prohmrangsri. 

Somdej Pra Puttajarn (Dto) Prohmrangsri coin amulet is attached to the rear face

Somdej Pra Puttajarn (Dto) Prohmrangsri coin amulet is attached to the rear face

The Rear face of each amulet, features a sacred copper coin inserted with the image of Somdej Dto. The traditionally visible ink stains of the rubberstamp from the Temple are visible also on the rear face.

 

Pong Somdej Pra Puttajarn (Dto) Prohmrangsri

Pong Somdej Pra Puttajarn (Dto) Prohmrangsri

They had been hidden in Burial Gru chamber within the Chedi (unusual for Wat Rakang amulets, which are usually sunbaked but never buried), and have been occasionally released over the years, in various editions of amulets. 

 

Pra Somde

Pra Somdej Wat Rakang Kositaram

Whenever a special occasion, or needy purpose arises for raising funds for any projects needed to be realised, sometimes, these special amulets are released without any previous warning.

Pra Somdej Wat Rakang Kositaram

Two Blessing Ceremonies were performed over these amulets, the first time being chanted (Buddha Abhiseka) within the Vihara Shrine to Somdej Dto, at Wat Rakang Kositaram.

 

Buddha Abhiseka Wat Rakang Kositaram

First Buddha Abhiseka Wat Rakang Kositaram

 

First Buddha Abhiseka Blessing at Wat Rakang Kositaram

First Buddha Abhiseka Blessing at Wat Rakang Kositaram

 

Pra SomdejThe second Buddha Abhiseka was performed on the 26th October 2557 BE, at the Bodhgaya Foundation of Petchburi, with the Abbot of Wat Pradu (Pra Kroo Pisarn Jariya Pirom), in Samut Songkram, and the Abbot of Wat Ban Paen (Pra Kroo Suwan Silatikun), in Ayuttaya, to perform the lighting and extinguishing of the victory candle.